What I've been reading, featuring the atomic bombing of Nagasaki, Hong Kong as a failed neoliberal experiment, and 'immigration as reparations'

I may never get over the role of weather and fuel capacity in the unintended atomic bombing of Nagasaki 74 years ago today. Nagasaki wasn’t even on the target list until a few days prior and apparently was only bombed because more conventional targets were inaccessible after a storm depleted the carrier’s fuel mid-flight. Blindly bombing Nagasakii was deemed preferable to squandering a billion-dollar nuclear weapon on the ocean. Mind-boggling to consider the influence of weather in history; recall that an article in the post from earlier today quoted then-General Eisenhower attributing the Allied victory on the Western Front victory to their superior meteorologists.

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What I've been reading, featuring corrective narratives of the migrant caravan and the American frontier; and “Sabrina” by Nick Drnaso

Late post because I lost an early draft from two weeks ago. I also initially had a bullet-point on David Wallace-Wells’ climate change book here but it morphed into its own post.

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What I've been reading, featuring climate change, here and now; and identity politics, everywhere and always

With the government shutdown over, NOAA and NASA finally affirm 2018 was the fourth-warmest year in recorded history: “The five warmest years in recorded history have been the last five... 18 of the 19 warmest years have occurred since 2001”

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What I've been reading, featuring how we write about other cultures, how we write about racism, how we write about climate change, and how we write about the Animorphs

When I first watched “Roma”, I wrote here: “reading the responses… revealed a homogeneity in the backgrounds of the cultural intelligentsia. In the face of an obviously intimate film in a very specific setting and depicting a complex familial dynamic, they seem to use technical observations as a crutch for their unfamiliarity—I don’t think that’s good enough.” I then linked to this collection of Latino critical responses.

But this review stands apart and is a prime example of why diversity matters. It’s not enough to make note of the hierarchy or power dynamics of the society depicted. A movie this compassionate calls for more: “Cuarón is not interested in portraying Cleo anthropologically: he wants to show us what she was to him, and to tell the story of Mexico City and what happened to Cleo the year that his own family shattered.” With the attention bestowed upon it by a Best Picture nomination, this film is too rare, important, and (above all) good to not be talked about with the specificity and insight Guillermoprieto provides.

I once interviewed a couple of dozen domestic servants about their work. It was hard to get young empleadas to talk to me, particularly if they were from the countryside… But the older women had plenty to say. A surprising number stated that they were happy with their families… But what I heard most frequently was the rage they felt at previous employers who had fired them with no warning or thought for their feelings. What about the children? they would ask. They fire us, we have to abandon them, and then you have to learn to love a new set of children, and you’re always afraid you’re going to be fired all over again and lose them. One woman cried as she explained this. “They never think about the fact that we love the children,” she said.

…That the women I interviewed could love the children they cared for—and love them, in fact, to the point of heartbreak—was to me nothing short of miraculous."

…So much happens in “Roma”. It is so bursting with life, Mexican life!… When I saw the movie in New York, the entire audience sat in silence as the credits rolled over a long, meditative shot of the staircase and the sky, until the screen blacked out over the title, and they sighed, and moved on.

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What I've been reading, featuring the cruelty of the US-Mexico border and Viktor Orbán’s constitutional coup

…Standing at an altar assembled from remnants of wooden refugee boats, Pope Francis looked out over the port of Lampedusa and asked his audience, “Has any one of us grieved for the death of these brothers and sisters? Has any one of us wept?”

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